Forty Three Houses and a Ford Escort & Casing In
Saturday 18 April – Sunday 24 May
Yvette Hawkins brings together two exhibitions which addresses the temporal nature of a nomadic life. In Forty Three Houses and a Ford Escort, a series of folded maps portray a biographical chronology of the artists homes and temporary abodes spanning two nations. The use of map folding references the act of locating and placing, linking the paper artefact to the physical world.
Casing In depicts a series of insect damaged books mended using the unique spinning process of the silk worm. Yvette observed the nature of spinning silk cocoons over the pages and covers creating a new home for them to mend and occupy. The title ‘Casing In’ alludes to the technical term a bookbinder uses to ‘case in’ or glue a book block of sewn pages to its hard backed cover. In this same way the silkworms are encasing themselves and the pages of the book into a new abode.
26th February – 17th April 2015
Radiant Space, 12 Derry’s Cross, Plymouth, PL1 2TE
The latest in the R[eff]uge series, supported by Arts Council England and Plymouth University, UNNATURAL PLEASURES focuses on synthesised experiences and the discomfort which is often the unfortunate by-product of attempts to comfort ourselves through man-made items.
Exhibiting Artists: Liz West, Alana Tyson, David Sargeant, Johanna Schmeer and Yvette Hawkins.
Image Credit: Yvette Hawkins
paper, table, wall and after
01 December 2014 – 23 January 2015
Gallery North, Northumbria University, Ellison Place, Newcastle upon Tyne
The provisional, but vital, stages of making artworks; the fluid open-ended possibilities for their interpretation through display; the uncertain destinies that await all material artefacts, however precious – these often disconnected moments in the ‘life story’ of an art object are the topic of a new exhibition in Gallery North. Co-curated by Chris Dorsett and Sian Bowen from Paper Studio Northumbria, this exhibition explores not only how contemporary artists utilize the special properties of paper but also how the passage of paper-based artworks across studio tablesand gallery wallscan lead to an unknown ‘after’, a contingent world only tentatively related to the immediate concerns of viewing an exhibition.
Paper Studio Northumbria (PSN) provides a unique facility nationally and internationally for the research, teaching and scholarship of paper in relation to fine art, conservation and archiving. Importantly it is a platform for an exchange of ideas that transforms the processes of making and exhibiting into research-rich activities. By providing tables as well as gallery walls the curators offer exhibition visitors artworks that can be shuffled, picked up, and examined in a manner that underlines the artefactual status of paper. The aim is to present a ‘jumble’ of ideas about the future of paper research. Gallery North’s visitors are unlikely to behave as if they are at a jumble sale but our ambition is to stimulate the haphazard discoveries associated with this traditional method of trading second-hand goods. Imagine the wealth of ideas that might be rifled through and then re-used or recycled as a result of applying the notion of ‘rummage’ to PSN works of art.
Forty artists, all of whom have worked with PSN during the last three years, will feature in the exhibition. Their use of tables and walls will evolve as exhibitors re-arrange their contributions as part of PSN’s critical discussions and seminar programme. Within this evolutionary process two ‘waves’ of participation will enlarge the exhibition: the first being pieces from the wider community of fine art staff at Northumbria for whom paper plays an important role; and the second, an intervention by the research group Neuschloss which will underline the provisional character of exhibition-making and help us draw uncertain boundaries between before and after, between the impact of one research project on another, between the different stages of a changing exhibition idea.
Beyond the shifting dialogue of making and exhibiting, the notion of provisionality reaches out into the cultural and social afterlife of the artworks on display. To this end Dorsett provides an accompanying text which, in the context of the Research Excellence Framework, interrogates the meaning of ‘research impact’ for makers of paper artefacts. His sequence of six ultra-short stories imagine what future ‘users’ of our exhibits might tell us about the transformational effects of paper artworks after they have been given away or sold, collected or stored, misplaced or thrown out. Nothing about paper, table, wall and after ends up quite as expected.
Caroline Ali / Sian Bowen / Catherine Bullard / Sarah Casey / Chun Chao Chiu / Maureen Coade / Jane Colbourne / Lizzy Costerdine / Gerry Davies / Judith Davies / Chris Dorsett / Hassen Ebeid / Brian Fay / Sophie Foster / Ross Frew / Richard James Hall / Yvette Hawkins / Angela Hughes / Mark Jackson / Ricky James/ Sandra Johnston / Christopher Jones / Agnieszka Kozlowska / Zhao Kun / Lloyd-Wilson / Keith McIntyre / Siobhan McQuade / Clare Money / Michael Mulvihill / Daksha Patel / Graham Patterson / Lionel Playford / Joanne Proctor / Doris Rohr / Jess Shaw & Steuart Padwick/ Richard Talbot / Jill Wann / Carl von Weiler
Image Credit: Paper Studio Northumbria
Finding The Value
4th July – 2nd November 2014
York St Mary’s, Castlegate, York, YO1 9RN
In 2011 Peter Madsen left his estate, including his art collection, to York Museums Trust. Five artists have made new work for this exhibition, using objects from his collection.
We can never know what drew Peter Madsen to collect and keep these things but each artist has found new ways to value them.
York Art Gallery is currently undergoing an £8 million redevelopment. This ambitious project was made possible by the bequest of £2 million by Peter Emil Madsen and his sister Karen Madsen, both from York. Their gift also included Peter’s diverse collection of paintings, books, prints, small sculptures and ethnographic objects. York Art Gallery has been allowed to sell any pieces not taken into the City’s art collections.
Of course, the historical importance and artistic quality of some works meant they had to be kept. Other works were sold at auction, happily passing into the care of other collectors whilst adding to the monetary value of the gift.
Exhibiting Artists: Andrew Bracey, Alison Erika Forde, Yvette Hawkins, Susie MacMurray and Simon Venus
Image credit: Phil Sayer
Beyond The Book
5th April – 8th June 2014
The Devon Guild of Craftsmen, Riverside Mill, Bovey Tracey, Devon, TQ13 9AF
The artists in this exhibition examine the book as physical form as well as a container of ideas and concepts. A household object – the conventional book has only recently been rivalled by the computer screen and electronic text. This exhibition sets out to explore this transition, through a variety of formats, from photographs to sculptures, installations and jewellery. The special qualities of the book object are deconstructed and described by these artists who all share an interest in history and memory, language and narrative.
Image credit: Sarah Deane Photography
Preview: Friday 28 February 2014 / 18.00-20.00
Exhibition: Saturday 1 & Sunday 2 March / 12.00-18.00
Northumbria University Studios, BALTIC 39
This diverse show brings together recent work by students of the BxNU Master of Fine Art (MFA) programme, which is based at BALTIC 39, Newcastle upon Tyne. The artists do however all have one thing in common – shy tworls.
Image credit: David Bilbrough
7th February 2014
Ouse St Arts Club, 20 Ouse Street, Newcastle upon Tyne, NE1 2PF
An evening of specially commissioned graphic scores by Richard Dawson, Yvette Hawkins and MawsonKerr architects, performed live by a trio led by double bass improviser John Pope.
John Pope – double bass
Mariam Rezaei – turntables and electronics
Sean Cotterill – violin
Trio led by John Pope
Image Credit: Unit 44
1st June – 17th August 2013
The Gallery, Gateshead Library, Prince Consort Road, Gateshead
Novel is an exhibition by members of the Book Art Network which explores and celebrates the region’s culture and history as part of Festival of the North East.
Inspired by books, these artists have created innovative works of art which include sculpture, collage, text pieces, poetry and collaborative works.
Theresa Easton, Yvette Hawkins ,Stephen Jeffries, Ruth McCann, Aidan Moesby, Mandy Pattullo, Susannah Pickering and Stevie Ronnie
Image credit: Dawn Felicia Knox
As Above So Below
18th – 25th May 2013
Castle Keep, Castle Garth, Newcastle upon Tyne, NE1 1RQ
As Above So Below responds to the architecture and geometry of the chapel through folded tessellated paper sculptures.
Each sculpture mirrors the patterns on the chapel arch ways suggesting an extension of the building that follows the contours of the chapel yet also meanders on its own path.
Image credit: Yvette Hawkins
The Book Borrowers
8 December 2012 – Thursday 17 January 2013
An exhibition of artwork created exclusively for Darlington by north east artists Yvette Hawkins, Theresa Easton and Dawn Felicia Knox will go on show at the town’s Crown Street Art Gallery from Tuesday 18 December 2012 – Thursday 17 January 2013.
1st October 2012 – 1st March 2013
Stuffed creatures carrying fragile treasures, Victorian-esque “quizzing glasses” and a set of storytelling boxes of relics will feature in a museums-inspired art exhibition. A group of seven artists from around the UK will exhibit work at Μουσείον: artists’reflections on museums, an exhibition organised by PhD students at the University of Leicester’s School of Museum Studies.
The show, which will run from October 1 at the School on University Road, takes its name from the original ‘mouseion’ built in Alexandria, Egypt, over 2000 years ago. The artists will explore the role and meanings of museum collections and the processes involved in the storage and display of museums’ artefacts.
The show has been curated by Alex Woodall, a PhD Researcher in the School, who haspreviously worked for Manchester Art Gallery, Museums Sheffield, Renaissance EastMidlands and Kettle’s Yard gallery in Cambridge.
Image credit: Priya Lin
Places Our Paths Might Cross
24th March – 26th May 2012
Dovetail, Blandford Square, Newcastle upon Tyne
In Places our paths might cross, Hawkins traces real and imagined journeys through layers of folds in carefully crafted new lands. Two dimensions become three in Hawkins’ beautiful new largescale landscapes, playing with familiarity and encouraging closer survey. This work is presented in both Globe and Dovetail.
Image credit: Colin Davison
Forty Three Houses and a Ford Escort
24th March – 26th May 2012
Globe Gallery, Blandford Square, Newcastle upon Tyne
In Forty Three Houses and a Ford Escort, a series of folded maps portray a biographical chronology of the artists homes and temporary abodes spanning two nations. The use of map folding references the act of locating and placing, linking the paper artefact to the physical world.
Image credit: Colin Davison